daylight and architecture within Wim Wenders’s film direction
It’s just impressive the clarity of Wim Wenders. He frames his images in the camera as well his black eyeglass frame does with him. In this short sequences taken from Pina (Bausch), 2011, Wim Wenders plays with daylight and the built environment as if he were an architect of light. With this, I mean that he uses a camera cart on a very still background, which seems to be only a postcard or a theatre upstage, it is absolutely surreal…
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